A painted workshop interior in warm light. A young man in a leather apron leans over a heavy timber beam on a bench, driving a chisel with a wooden mallet to cut a mortise. The beam carries chalk setting out marks, crosses, tallies and numerals. Saws, planes and hammers hang on the walls. An older man in a worn jacket stands in the doorway behind him with his arms folded, watching.

The morning after: chalk setting out marks, a mortise cut clean, and skill in hands that did not have it yesterday. The older man in the doorway got there the long way, and is watching.

In one line

A class is a god's gift and a god's bargain: real, particular ability, handed over by a named god with reasons of its own — and it can be refused, and it can go cold.

How it works

A class is granted, not chosen. A god gives it, shapes it, and can let it go quiet again. It arrives as competence a person did not train for: a steadiness in a leg that should have slipped, an eye that reads a pattern nobody taught it. It comes with an expectation attached, because the god that gave it lives on what its followers give back. Most people ask once, at a coming-of-age altar, and most are refused. The refused are not a rare misfortune. They are the majority, and the towns run on their hands.

Named classes appear all through the books. This entry does not catalogue them.

An aged printed plate headed A CLASS IS GRANTED, NEVER CHOSEN. At the left, a young person kneels at a candle-lit altar block in a town square while a queue of townsfolk waits behind, captioned MOST PEOPLE ASK ONCE. A broad path forks. The upper branch leads to a single figure walking away looking at their own hand, headed GRANTED, COMPETENCE YOU DID NOT TRAIN FOR, with notes that it arrives with an expectation attached and can be let go quiet again. The lower, much wider branch leads to a line of working people carrying nets, tools, timber and baskets, headed REFUSED, THE MAJORITY, AND THE TOWNS RUN ON THEIR HANDS. Across the foot: THE REFUSED ARE NOT A RARE MISFORTUNE.

Most people ask once, at an altar, in front of everyone they know. Two roads lead out of that question, and the crowded one along the bottom is the ordinary answer rather than the sad exception: the refused are the majority, and the towns run on their hands.

Where it comes from

There is no institution behind it and no schedule. A class comes from one god, for that god's reasons, and the reasons are not published. What has grown up around it is human: the altars, the coming-of-age rite, the people who decide which altar a town may use, and the long habit of counting a person by what they were given.

Who cares about it

Where you'll meet it

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